{"id":1826,"date":"2021-03-17T11:28:30","date_gmt":"2021-03-17T11:28:30","guid":{"rendered":"http:\/\/neu.kultkom.de\/?p=1826"},"modified":"2026-03-26T10:07:18","modified_gmt":"2026-03-26T10:07:18","slug":"cantio","status":"publish","type":"post","link":"https:\/\/www.kultkom.de\/de\/music-theater\/cantio\/","title":{"rendered":"CANTIO"},"content":{"rendered":"
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CANTIO<\/strong> was premiered as a commissioned work of the Munich Music Biennale<\/b> in 2004. During the development of the work, the focus was accordingly on the question of today’s definition of musical theater. Away from the conventional classifications of music and text, CANTIO<\/b> wanted to answer the basic theoretical questions in a new way. The result is a highly intelligent, sensually perplexing interplay of language, rhetoric, music, sound, whose puzzling development of these elements is both intelligent and entertaining for the viewer.<\/p>

The authors do not put human conflicts and their development in the center of the work, but the elements of musical theater itself. This sounds theoretical, but in the end it is not! For these elements, such as language, rhetoric, music, song, sound are superficially applied according to their inner laws, their formal being so, quasi (musically) presented, but through a dramaturgical trick they receive an additional level of meaning in terms of content, which congenially expands the formal play of the elements to a play of meaning & action (thus, after all, to a story!).<\/p>

F\u00fcr weitere Informationen klicken Sie auf die unteren Fragen und besuchen Sie die Projekt Homepage www.muenchener-biennale.de<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tWas tun wir?<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

kultkom \u00fcbernahm Projektmanagement, Finanzierung und PR f\u00fcr dieses Projekt.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMit wem arbeiten wir zusammen?<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Kooperationen | <\/strong>Konzerthaus Berlin, Ultraschall – Das Festival f\u00fcr Neue Musik<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mitwirkende | <\/strong>Vykintas Baltakas, Lithuanian Ensemble Network, Vivian L\u00fcdorf, Margret Giglinger, Florian Feth, Tobias Hagge, Heiko Akrap, Rosa Jansen, Martin Kiuntke, Gabriele Stern, Thomas Weppel, Cornelia Heger, Erika Otto, Carl
Faia, Yvonne Kluin, Fred Pommerehn, Regine Bernhauer, Symeon Ioannidis, Gabriele Kortmann, Frank Bernhauer, Tamara Zenn, Hans-J\u00f6rg Bahrs, Ricarda Schlegel, Kerstin Wiehe, Arno L\u00fccker, Peter M\u00fcller, Peer Niemann, Mia Schr\u00f6er, Francesca La Vigna, Varius Messe-Event-Innenausbau GmbH<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tWie setzen wir es um?<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Project sponsors <\/b>| <\/strong>Hauptstadtkulturfonds, Ernst von Siemens Musikstiftung\u00a0<\/b><\/b>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Project budget <\/b><\/b>| <\/strong><\/b><\/b>123.000 \u20ac
<\/strong><\/b><\/b><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tLeistungen<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tProjekte<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

CANTIO was premiered as a commissioned work of the Munich Music Biennale in 2004. During the development of the work, the focus was accordingly on the question of today’s definition of musical theater. Away from the conventional classifications of music and text, CANTIO wanted to answer the basic theoretical questions in a new way. The […]<\/p>\n","protected":false},"author":1,"featured_media":2440,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-theater"],"rttpg_featured_image_url":{"full":["https:\/\/www.kultkom.de\/wp-content\/uploads\/2021\/04\/NEU_FRAU_Cantio-3.jpg",1024,683,false],"landscape":["https:\/\/www.kultkom.de\/wp-content\/uploads\/2021\/04\/NEU_FRAU_Cantio-3.jpg",1024,683,false],"portraits":["https:\/\/www.kultkom.de\/wp-content\/uploads\/2021\/04\/NEU_FRAU_Cantio-3.jpg",1024,683,false],"thumbnail":["https:\/\/www.kultkom.de\/wp-content\/uploads\/2021\/04\/NEU_FRAU_Cantio-3-150x150.jpg",150,150,true],"medium":["https:\/\/www.kultkom.de\/wp-content\/uploads\/2021\/04\/NEU_FRAU_Cantio-3-300x200.jpg",300,200,true],"large":["https:\/\/www.kultkom.de\/wp-content\/uploads\/2021\/04\/NEU_FRAU_Cantio-3.jpg",1024,683,false],"1536x1536":["https:\/\/www.kultkom.de\/wp-content\/uploads\/2021\/04\/NEU_FRAU_Cantio-3.jpg",1024,683,false],"2048x2048":["https:\/\/www.kultkom.de\/wp-content\/uploads\/2021\/04\/NEU_FRAU_Cantio-3.jpg",1024,683,false],"trp-custom-language-flag":["https:\/\/www.kultkom.de\/wp-content\/uploads\/2021\/04\/NEU_FRAU_Cantio-3-16x12.jpg",16,12,true]},"rttpg_author":{"display_name":"admin","author_link":"https:\/\/www.kultkom.de\/de\/author\/admin\/"},"rttpg_comment":1,"rttpg_category":"Music & Theater<\/a>","rttpg_excerpt":"CANTIO was premiered as a commissioned work of the Munich Music Biennale in 2004. During the development of the work, the focus was accordingly on the question of today’s definition of musical theater. Away from the conventional classifications of music and text, CANTIO wanted to answer the basic theoretical questions in a new way. The…","_links":{"self":[{"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/posts\/1826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/comments?post=1826"}],"version-history":[{"count":44,"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/posts\/1826\/revisions"}],"predecessor-version":[{"id":2836,"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/posts\/1826\/revisions\/2836"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/media\/2440"}],"wp:attachment":[{"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/media?parent=1826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/categories?post=1826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kultkom.de\/de\/wp-json\/wp\/v2\/tags?post=1826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}